| Samstag 12 September 2026 | 19:00 |
| Donnerstag 14 Januar 2027 | 19:00 |
| Samstag 23 Januar 2027 | 19:00 |
| Donnerstag 11 Februar 2027 | 19:00 |
| Freitag 12 März 2027 | 19:00 |
| Kaumann, Tõnis (b. 1971) | Charon | Libretto von Andrus Kivirähk |
| Estonian National Opera | ||
| Kaspar Mänd | Musikalische Leitung | |
| Üllar Saaremäe | Regie | |
| Jaanus Laagriküll | Bühnenbild | |
| Ketlin Saaremäe | Kostüme | |
| Rasmus Rembel | Licht | |
| Estonian National Opera Orchestra | ||
| Estonian National Opera Choir | ||
| Rene Topolev | Video | |
| Lauri Sirp | Musikalische Leitung | |
| Martin Trudnikov | Chorleitung | |
| Mehis Saaber | Choreographie | |
| Tamar Nugis | Bariton | Charon (Ferryman of the Underworld) |
| Raiko Raalik | Bass | Charon (Ferryman of the Underworld) |
| Elena Brazhnyk | Sopran | Niobe |
| Kristel Pärtna | Sopran | Niobe |
| Kadri Raalik | Sopran | Niobe |
| Mart Laur | Bass | Hades (Ruler of the Underworld) |
| Priit Volmer | Bass | Hades (Ruler of the Underworld) |
| Karis Trass | Mezzosopran | Leyla (Daughter of Charon and Niobe) |
| Aule Urb | Mezzosopran | Leyla (Daughter of Charon and Niobe) |
| Rafael Dicenta | Tenor | Hypnos (God of Sleep) |
| Heldur Harry Põlda | Tenor | Hypnos (God of Sleep) |
| Juuli Lill | Mezzosopran | Soldier |
| Helen Lokuta | Mezzosopran | Soldier |
| Mart Madiste | Tenor | Usurer |
| Reigo Tamm | Tenor | Usurer |
| Arina Kotova | Schauspiel | Niobe’s alter ego |
| Mehis Saaber | Schauspiel | Charon’s alter ego |
| Richard Beljohin | Schauspiel | Charon’s alter ego |
The opera takes place in the underworld, known from ancient Greek myths, in the kingdom of Hades, the god of death. Since the beginning of time, the ferryman Charon has transported the souls of the departed across the river of the underworld, serving as a precise and diligent helper to his master. But one day, among the souls, there is a young and beautiful Niobe, and something completely unexpected happens – Charon falls in love with her. Niobe returns his affection, and as a result, she becomes pregnant. Although Niobe herself does not wish to leave Charon, the ferryman wants their child to be born in the world of the living. He does something entirely unheard of and against the law: with the help of Hypnos, the god of sleep, he aids Niobe in escaping from the underworld through Hypnos’s realm. However, Hades soon notices that one soul is missing and threatens Charon with cruel punishment.
As is typical for operas, the ensuing whirlwind of events offers plenty of opportunities for emotional engagement, tears and laughter, and holding one’s breath in anticipation of the surprising conclusion.
