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Komponist: Riley, Terry (b. 1935)

Veranstaltungen zu klassischer Musik, Oper, Ballett und Tanz finden | Riley
Kurzprofil
Geburtsjahr1935
NationalitätVereinigte Staaten
EpocheZeitgenössisch
Januar 2020
MoDiMiDoFrSaSo
30310102030405
06070809101112
13141516171819
20212223242526
27282930310102
03040506070809
Abendvorstellung
Matinee
Veranstaltungstippsmehr...

AmsterdamExtending String Quartet

Extending String Quartet
Riley: Salome Dances for Peace
Ruysdael Quartet

AmsterdamOn the Night Plain

On the Night Plain
Pärt, Reich, Dusapin, Silvestrov, Górecki, Feldman, Volans, Riley
Arditti String Quartet; Calder Quartet; Signum Quartet; Alex Ross

SydneyMusic to Heal

Tavener, Glass, Richter, Riley, Vasks, Dean, of Bingen, Beethoven
Australian Chamber Orchestra; Hugo Ticciati

WollongongMusic to Heal

Tavener, Glass, Richter, Riley, Vasks, Dean, of Bingen, Beethoven
Australian Chamber Orchestra; Hugo Ticciati

MelbourneMusic to Heal

Tavener, Glass, Richter, Riley, Vasks, Dean, of Bingen, Beethoven
Australian Chamber Orchestra; Hugo Ticciati
Neue Kritikenmehr...

Happy New Year from Aurora and friends

Nicholas Collon and Nico Muhly © Viktor Sugeng
An adventurous and unusual end to Kings Place's Time Unwrapped series and some striking collaborations with Aurora Orchestra.

Carpenter and Tovey with the Boston Symphony

Bramwell Tovey, Cameron Carpenter and the BSO © Winslow Townson
If “the girl with kaleidoscope eyes” were a musician, she might well have composed something like Terry Riley’s 2014 concerto for organ and orchestra, At The Royal Majestic.
****1
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Kronos Quartet at 40

The Kronos Quartet celebrated its 40th birthday on Friday. In Berkeley's Zellerbach Hall, the ensemble explored its history with a performance of Black Angels but also offerred a few surprises.
*****
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The Minimalist Dream House Project at Toronto Summer Music with the Labèque sisters

As I sat in the intriguing darkness of Koerner Hall, Marielle Labèque carefully placed the opening notes of Le fils des étoiles by Erik Satie. They hung in the air like little crystals. This was a simple beginning, yet deceptively so, that would build towards something larger. In turn, these notes would unfold in a continuous stream of build-ups and decays.
****1
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A Scream and an Outrage: Session Two at LSO St Luke's

The title for this Barbican event certainly threw up some interesting questions. Having failed to attend a riotous dinner party that was characterised by one attendee as “a scream and an outrage”, Nico Muhly set about curating a series of concerts under this title. However, no screams or outrages occurred this weekend.
***11
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