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This well devised programme brought out the best of The Sixteen in first rate performances under the charismatic Harry Christophers.     

A marvellously affirmative account of The Kingdom that brought thrilling intensity and evident commitment from the combined forces of the Waynflete Singers and the BSO.

Intended to signify the contribution of Russian music to the Western canon, the Royal Choral Society gave admirable performances of two major choral works, rarely heard in Winchester Cathedral.

Mozart and Schubert were performed with superb technical assurance and cool precision as part of the Winchester Chamber Music Festival.

Seven works by English composers created a journey from beauty to death as Remembrance day approaches. There wasn't much dwelling on the horrors of war itself, but plenty of human emotion and a sense of life sadly lost.

This Winchester Chamber Music Festival programme made a stab at being eclectic, with two sets of early 20th century Webern miniatures to start. Yet the meat was in two substantial Romantic works by Schumann and Brahms. 

Members of the London Bridge Ensemble and the Heath Quartet enthralled a capacity audience at the Discovery Centre in the fourth event of the Winchester Chamber Music Festival. The main focus this year was Beethoven and Schumann, the music selected to highlight their musical development at specific times in their careers.

By calling this year’s Choral Pilgrimage tour The Earth Resounds and including excerpts from a piece known as the “Earthquake mass”, Harry Christophers and The Sixteen created an expectation of drama and excitement before they’d sung a single note.