Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Matthews C.

Martyn Brabbins and Claire Booth are among the Nash Ensemble's regular collaborators celebrating the group’s 60th Anniversary, marked by four world premieres.

El Nash Ensemble ofreció un gran concierto desde el Wigmore Hall con obras contemporáneas entre las que se contaban tres estrenos mundiales.

Impressive control from Vladimir Jurowski and his LPO forces in Mahler's great work about death and resurrection, but with obvious clinical detachment too.

Two world premieres from Mark Bowden and Colin Matthews breath life into the Southbank's Queen Elizabeth Hall.

A strange combination of a Berlioz overture, a commemorative work and Mahler's Das Lied von der Erde with the Hallé, Sir Mark Elder, Alice Coote, Gregory Kunde and Leonard Elschenbroich.

The space-themed Prom 29 matches old favourites with new works in joyous performances.

The LSO and soloist Yuja Wang join Principal Guest Conductor Michael Tilson Thomas to celebrate his 70th birthday. 

A somewhat disappointing première of Colin Matthews’ Traces Remain could not stifle the abandon and verve of new Principal Conductor Sakari Oramo’s Eroica with the BBCSO at the Barbican.

As Benjamin Britten’s centenary year draws to an end, Royal Northern Sinfonia began their own tribute last night, with a Late Mix chamber concert that drew on works from the start and end of Britten’s composing career, in a tightly planned programme full of pleasing connections. Throughout his career, Britten nurtured and supported younger composers, and so after Britten’s Op.

The perky new conductor of the BBC National Orchestra of Wales, Thomas Søndergård, made his second Proms outing with an exciting programme of contrasting works which kicked off with the first UK performance of Colin Matthews’ Turning Point.First performed by the Amsterdam Concertgebouw Orchestra in 2006, Turning Point is an eighteen-minute work of considerable technical skill.

Following on from the Contemporary Chamber Works concert of the LSO Futures series, François-Xavier Roth was back less than an hour later with the Symphonic Sound Worlds programme. This formed the second part of his investigation into the nature of the orchestra, its traditional forms and generic makeup.