Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Henrik Engelsviken

Christoph Loy's Oslo production of Wozzeck is a dramatic triumph, with gripping performances from a cast led by Audun Iversen's desperate title character.

The revival of Calixto Bieito's Carmen in Oslo proves a bumpy ride, with uneven singing and orchestral playing, saved by Katarina Bradić's captivating portrayal of the title heroine.

Despite occasionally brilliant singing, the Norwegian National Opera fails to raise seasonal spirits with a dramatically inert Cavalleria rusticana and a shaky Pagliacci.

Despite an excellent cast and some glorious singing, Stephen Langridge's oft-revived 2012 production of Puccini's Madama Butterfly never quite takes flight. 

Andreas Homoki's 2004 Turandot makes its way to Oslo, but fails to impress with less-than-halfbaked concepts and underwhelming singing.

Nothing says “Happy Easter” like a bit of alcohol-fuelled murder on the church steps, right? With their new double bill of Mascagni’s Cavalleria Rusticana and Leoncavallo’s Pagliacci, the Norwegian National Opera certainly seems to think so!The two productions were done on practically the same sets, albeit with a few differences, which did create a rather wonderful sense of continuity from the fir

The Norwegian Opera and Ballet seems to be developing a thing lately for staging Puccini operas as flashbacks and/or dreams. There is Stefan Herheim’s La bohème from last season, telling the story as part dream, part flashback from the viewpoint of Rodoldo.