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This Yeomen of the Guard was one of the best sung G&S performances I have heard. The traditional but inventive production will appeal to novices and enthusiasts alike.

One hundred and sixteen years ago, on 7 March 1896, Gilbert and Sullivan presented before the London public their final Savoy Opera: The Grand Duke.

Few 19th-century operettas exceed HMS Pinafore in style, wit and musical accomplishment; the principal candidates in English are The Mikado, and The Yeoman of the Guard, plus a few offerings by Lionel Monckton and Sidney Jones. Any foreign contender would surely be one of the champagne-soaked Viennese delicacies by the Strauss family or Carl Zeller.

Among the fourteen Gilbert and Sullivan operettas, it must be acknowledged that there are glimpses of weakness. The Gondoliers maintains one of Gilbert’s typically insane plots, which is best described as ‘topsy-turvy’ until the final scene, when order is restored. Likewise the music is far from Sullivan’s strongest score, but there are moments of inspired vocal writing.

The Gilbert and Sullivan canon perhaps achieves the pinnacle of its greatness with The Mikado. The ninth of their fourteen collaborations, it was premièred at the Savoy Theatre in 1885 and the gentlemen were rewarded with an extraordinary success.