Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Chris Alexander

“Love, love, love… that is the soul of genius,” said Mozart. In no other work does he demonstrate this affirmation more compellingly than in his forever-beloved opera, Die Zauberflöte. 

Seattle Opera closes its season with an Ariadne auf Naxos that highlights the comedy but only fitfully comes to life in the opera within the opera.  

A revival of Chris Alexander's comedy-slanted take on Don Giovanni tames Mozart's subversive opera in Seattle's season opener.