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Stephen Costello (Roméo) and Kseniia Proshina (Juliette) © Michael Cooper

Shakespeare in New York: Canadian Opera Company again opens season with Gounod

Von John Gilks, 27. September 2025

Amy Lane’s production of Gounod’s Roméo et Juliette at the COC is eye-catching and enjoyable but doesn’t offer the same level of insight as her Faust last season.

***11

mehr

***11

Toronto

27. Sept. 2025

Canadian Opera Company opens season with Roméo et Juliette

Von John Gilks

Kyle Ketelsen (Méphistophélès) and Long Long (Faust) © Michael Cooper

Toronto

Scattered borrowings fail to cohere in Canadian Opera Company's new Faust

Von Gianmarco Segato, 11. Oktober 2024

Amy Lane's scattered borrowings from Tim Burton to Stanley Kubrick fail to cohere in the Canadian Opera Company's new Faust.

***11

mehr

***11

Toronto

11. Okt. 2024

Scattered borrowings fail to cohere in COC's new Faust

Von Gianmarco Segato

Toronto

Jamie Manton's Cunning Little Vixen falls flat in Toronto

Von Michelle Assay, 26. Januar 2024

After more than a quarter of a century, Janáček’s late masterpiece returns to the Canadian Opera Company, but falls short in charm, magic, and humour.

**111

mehr

**111

Toronto

26. Jan. 2024

Jamie Manton's Cunning Little Vixen falls flat in Toronto

Von Michelle Assay

Lauren Fagan (Countess), Emily Fons (Cherubino) and Andrea Carroll (Susanna) © Michael Cooper

Toronto

Canadian Opera Company's sexed up Figaro: beautifully sung, creepily funny

Von John Gilks, 27. Januar 2023

The COC revival of its 2016 production of Le nozze di Figaro is still rooted in Claus Guth’s gloomy Scandinavia but it’s lightened up to become much sexier and funnier.

****1

mehr

****1

Toronto

27. Jan. 2023

COC's sexed up Figaro: beautifully sung, creepily funny

Von John Gilks

Toronto

Crisper, tighter, more relevant: revival of Christopher Alden's Rigoletto at the COC

Von John Gilks, 20. Januar 2018

Christopher Alden’s production of Verdi’s Rigoletto returned to Toronto tighter, more focussed and with fewer dramatic incongruities. Add to this that every aspect of the music making was top notch and it made for a fine evening at the theatre.

****1

mehr

****1

Toronto

20. Jan. 2018

Crisper, tighter, more relevant: Alden's Rigoletto at the COC

Von John Gilks

Vancouver

Polygamy at the opera: Muhly's Dark Sisters comes to Vancouver

Von Kevin W Ng, 26. November 2015

Vancouver Opera's bold presentation of Nico Muhly's Dark Sisters is enjoyable but less audacious than its subject matter might suggest

***11

mehr

***11

Vancouver

26. Nov. 2015

Muhly's Dark Sisters comes to Vancouver

Von Kevin W Ng