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Benjamin Britten’s 1948 cantata communicates with more invention and originality than recent works by Tabakova and Rutter.

I’ve lost count of the times I’ve sung Handel’s Messiah, always in the context of a large choral society or the massed voices of a ‘come and sing’. So it was a special treat to let someone else do the work, and an interesting contrast to have this familiar oratorio delivered by a smaller ensemble.