Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Rebecca Lagos

Upon entering the concert hall of Sydney Opera House, I was greeted by a plethora of percussion instruments positioned in all corners of the stage, along with multi-coloured ribbons, which were hanging down from the ceiling. They were in place for a performance of Toru Takemitsu’s From me flows what you call Time, for five percussionists and orchestra.