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Jeff Clarke's characteristically high-octane style seems made for the sarcastic, hyperactive existential madness that is Candide in this little gem of a production for Iford. 

West Green House Opera opened its season with a cast of rising stars and veterans in an simple, but elegant production of Verdi's classic La traviata.

Iford's stone cloister makes a suitably eerie setting for a fine traditional account of Verdi's Macbeth, notable for its powerful male leads, from Iford Festival Opera and the CHROMA Ensemble.

While it may seem perfectly formed for the full grand opera treatment, Verdi's classic Un ballo in maschera can also work extremely well on a small scale, as shown by this intimate and compelling treatment by Timothy Nelson at Iford. 

Take an exquisite production of a Puccini tearjerker, cast it attractively… then crush its fragile wings under the weight of the Albert Hall’s vastness.

Francesca Zambello's huge, ambitious production returns once again to the Royal Albert Hall, with lavish costumes, excellent choreography and riotous crowd scenes which will charm children in particular. 

Originally penned by Joseph Conrad in 1903, Heart of Darkness deals with the deepest, most dangerous misunderstandings between human beings. Set during the era of imperialism, ship’s captain Charlie Marlow relates to his London dockyard comrades a disconcerting tale of a journey to the heart of an African jungle.