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Marlene Monteiro Freitas' Adaption von Schönbergs Melodram ist ein außergewöhnlicher, bisweilen bizarrer Abend.

Give the Austrian body politic a victim complex to nurse, and it will gladly let off xenophobic steam. By now this well-oiled masquerade is possessed with Pavlovian inevitability. So nothing unusual then, when populist indignation about perceived Austrian vulnerability to the ongoing Greek crisis rapidly descended into ugly national stereotyping.Measured relatively, this has been a mild outbreak.