Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Martin Chalifour

Matters cosmic and earthly intersect in Slatkin's latest visit to the Hollywood Bowl with the Los Angeles Philharmonic.

Julia Adolphe's new violin concerto, Woven Loom, Silver Spindle built impact and structure out of the instability between the brightly spinning realm of the violin and the darker, all-encompassing framework of the orchestra. 

After tumbling deliriously to the end, if they had played one of Brahms' Hungarian Dances as an encore, they would have had them the audience dancing in the aisles.

Paolo Bortolameolli leads the LA Phil in a programme mixing the familiar with the obscure. 

They hung over the fronts of their seats waiting for each movement to begin; they were silent, immovable once the music started. When the music stopped they exploded with joy. 

At first hearing the idea of the music of Witold Lutosławski as the centerpiece of a Los Angeles Philharmonic “Green Umbrella” concert made a strangely incongruous impression. Music new or difficult is the usual fare of such a program.

In the early years of the 20th century, along the streets of Paris, a society of writers, artists, and musicians—among them Maurice Ravel—known as Les Apaches would exchange the secret greeting devised for members to recognize each other.