Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Mariana Pentcheva

The big season opener at La Scala offers few surprises in a traditional staging, although Yusif Eyvazov proved his worth in the title role. 

A thrilling evening at Poole’s Lighthouse with the BSO and Chorus plus a quartet of superb soloists, conducted by Kirill Karabits in an unforgettable performance of Verdi’s Requiem. 

“I would ask what the management’s drama has in common with mine. The title? No. The poet? No. The period? No. The place? No. The characters? No.” This excerpt from Verdi’s legal proceedings against the management of San Carlo, who were trying to foist changes on Un Ballo in Maschera, came vividly to my mind last night at Sydney Opera House.

The Proms Choral Sundays series moved from last week’s dramatic opening (Havergal Brian’s Gothic Symphony) to the more familiar but no less spectacular territory of Verdi’s Requiem. Since 1956, this has been a Proms regular, with 16 previous performances, including a run of five in the eight years from 1956 to 1963.