Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Marzio Conti

Salvatore Viganò's choreography for Beethoven's 1801 ballet Prometheus has not survived, but a trio of creators put their own stamp on the score in Amsterdam.

La Oviedo Filarmonía, bajo la batuta de Marzio Conti, cosecha una buena acogida para su Iván El Terrible, op. 116 de Sergei Prokófiev.