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Miina-Liisa Värelä (Leonore) © Michael Cooper

Canadian Opera Company opens season with a Fidelio for our time

Von Michelle Assay, 29. September 2023

A massive rotating cube, CCTV, an immigrants’ detention centre: Fidelio returns to the Toronto stage with a visually arresting production full of contemporary resonances.

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Toronto

29. Sept. 2023

Canadian Opera Company opens season with a Fidelio for our time

Von Michelle Assay

San Francisco

Philosophy amid movement in San Francisco Ballet’s Dance Innovations

Von Terez Rose, 13. Februar 2020

The ballet culminates with fouettés, bravura leaps from the oversized ensemble and a rousing finish with all 44 dancers onstage. It was an exuberant end to an intelligent, satisfying production, both of thought and movement.

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San Francisco

13. Feb. 2020

Philosophy amid movement in San Francisco Ballet’s Dance Innovations

Von Terez Rose

Cleveland

Welser-Möst unveils a musically superb Ariadne auf Naxos in Cleveland

Von Timothy Robson, 13. Januar 2019

Tamara Wilson was a top-notch Ariadne, supported by a strong cast, including Kate Lindsey as a passionate Composer, a thrilling Zerbinetta by Daniela Fally, and an unbeatable Bacchus in Andreas Schager.

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Cleveland

13. Jan. 2019

Welser-Möst unveils a musically superb Ariadne auf Naxos

Von Timothy Robson

Cleveland

A darkly dramatic Bartók double bill in Cleveland

Von Timothy Robson, 7. April 2016

The Cleveland Orchestra and Joffrey Ballet team up for staged performances of Bartók's The Miraculous Mandarin and Bluebeard's Castle.

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Cleveland

7. Apr. 2016

A darkly dramatic Bartók double bill in Cleveland

Von Timothy Robson