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Marcus Morelli as Harlequin in Alexei Ratmansky's Harlequinade © Tristram Kenton

London

The Australian Ballet celebrates 60 years with style and star turns!

Von Deborah Weiss, 6. August 2023

The Australian Ballet's return to London's Royal Opera House after a 35 year absence, proves successful at every level.

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London

6. Aug. 2023

The Australian Ballet celebrates 60 years with style and star turns!

Von Deborah Weiss

Ako Kondo and Chengwu Guo in Don Quixote © Rainee Lantry

Melbourne

Australian Ballet's Don Quixote: a showpiece for excellence

Von Deborah Weiss, 24. März 2023

This Don Quixote reveals the extraordinary depth of talent within Australian Ballet, challenging all ranks of the company and presenting a stellar production.

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Melbourne

24. März 2023

Australian Ballet's Don Quixote: a showpiece for excellence

Von Deborah Weiss

Callum Linnane and Sharni Spencer © Daniel Boud

Sydney

Fair Verona comes to Sydney: the Australian Ballet's heartrending Romeo and Juliet

Von Chantal Nguyen, 1. Dezember 2022

The Australian Ballet do full justice to Shakespeare's epic tale of star-crossed lovers. Featuring a restaging of John Cranko's famous ballet, the first in almost twenty years, both the ensemble and leads shine in bringing Verona to life.

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Sydney

1. Dez. 2022

Fair Verona comes to Sydney: the AB's heartrending Romeo and Juliet

Von Chantal Nguyen

Melbourne

Send in the clowns: Alexei Ratmansky revives Harlequinade for the Australian Ballet

Von Chantal Nguyen, 18. Juni 2022

A lovingly reproduced historical reconstruction, but is it enough to connect with modern Australian audiences?

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Melbourne

18. Juni 2022

Send in the clowns: Alexei Ratmansky revives Harlequinade

Von Chantal Nguyen

London

Ratmansky's surrealist take on Cinderella: the Australian Ballet in London

Von Alexandra Desvignes, 20. Juli 2016

Who needs a pumpkin carriage ride to transport you to the ball when you could surf celestial webs instead? Certainly not Prokofiev's Cinderella, if Alexei Ratmansky’s 2013 Australian Ballet production is anything to go by.

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London

20. Juli 2016

Ratmansky's surrealist take on a fairy tale

Von Alexandra Desvignes