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Meechot Marrero (Poppea) and Samuel Dundas (Nerone) © Jeff Busby

An updated Poppea crowned in Melbourne

Von Sandra Bowdler, 2. Juli 2026

An updated staging of this 17th-century opera, with great singing and acting, is more successful than its somewhat distracting updated orchestration.

****1

****1

Melbourne

2. Juli 2026

An updated Poppea crowned in Melbourne

Von Sandra Bowdler

Katherine Allen (Blonde) and chorus © Jeff Busby

A nightclub of self-discovery: Mozart’s Abduction from the Seraglio updated for Melbourne

Von Sandra Bowdler, 12. August 2025

Director Constantine Costi updates the action of Mozart's Singspiel to a secluded cross between a cult headquarters and a nightclub.

***11

***11

Melbourne

12. Aug. 2025

Mozart’s Abduction from the Seraglio updated for Melbourne

Von Sandra Bowdler

Physical comedy detracts from Pinchgut Opera's musically ravishing Orontea in Sydney

Von Jeremy Eccles, 26. Mai 2022

Ravishing music and performances, a crazy G&S plot, but physicality that tends to distract in Constantine Costi's production.

****1

****1

Sydney

26. Mai 2022

Physical comedy detracts from Pinchgut's musically ravishing Orontea

Von Jeremy Eccles

The return of Monteverdi: Pinchgut takes on Il ritorno d'Ulisse in patria

Von David Larkin, 13. Juni 2019

Monteverdi’s Il ritorno d’Ulisse in patria is given the Pinchgut treatment, with an abstract staging complementing historically informed music-making under Erin Helyard.

****1

****1

Sydney

13. Juni 2019

Pinchgut takes on Il ritorno d'Ulisse in patria

Von David Larkin