Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Graeme Murphy

Opera's greatest romcom glitters on its third outing at the Sydney Opera House. 

A mid-performance jump-in by tenor Thomas Strong saves the show on the opening night of this revival of Graeme Murphy's production.

Graeme Murphy's legendary staging of Puccini's final opera remains a vital combination of strong storytelling and visual panache.

Graeme Murphy's new Madama Butterfly opens with arrestingly kinky imagery and heavily exploits digital projections thereafter, but the joy of the production is in the uniform excellence of the performers, headed by the outstanding Karah Son in the title role.

Amber Wagner delivers a thrilling performance in Opera Australia's revival of Graeme Murphy's Turandot – a spectacular feast for both the ears and eyes.

Joyful, enthusiastic singing, dancing and music combined for a very entertaining The Merry Widow with delightfully cast lead roles. 

In a selection of modern and balletic works spanning several decades, the Australian Ballet pays tribute to one of Australia's best-loved choreographers.

A provocative reworking of a Russian classic, if not always compelling told.

While the billboard advertisements focussed on the presence of the ‘hit aria “Nessun dorma”’, there was much else to enjoy in this Turandot revival in Sydney: a lively, rich production and a strong cast headed by Lise Lindstrom and Yonghoon Lee.

Australian Ballet takes Graeme Murphy's multifaceted <em>Swan Lake</em> to LA. A mad Odette, a baroness Von Rothbart as the prince's mistress and a pleasing blend of classical and contmeporary features.

Opéra de Montréal’s sumptuous production of Turandot at Salle Wilfrid-Pelletier is a grand spectacle in every sense, but misses on some of the finer details.

Virtually every reviewer of Aida mentions elephants, generally only to note their absence: the elephant not in the room, as it were. Like most others, the current Opera Australia production was lacking in pachyderms, but few of last night’s audience will have felt short-changed.

Opera Australia pulled out all the stops for their latest production of Puccini’s Turandot: an excellent cast, fabulous choreography, amazing costumes and a great sense of drama all combined to make it a wonderful production at Sydney Opera House. The Opera Theatre is comparatively small by modern standards and is a very intimate venue in which to see an opera.