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Atalla Ayan (Don José) and Niamh O'Sullivan (Carmen) © Ros Kavanagh

INO’s attractive, lively Carmen fails to convince in Dublin

Von Andrew Larkin, 2. November 2026

Niamh O’Sullivan brings charisma to an attractive, colourful production, but a lack of dramatic intensity leaves Bizet’s enduring tale of passion and possessiveness short of its full impact.

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Dublin

2. Nov. 2026

INO’s attractive, lively Carmen fails to convince in Dublin

Von Andrew Larkin

Wexford

Spanish Civil War Trouvère opens Wexford with a foot in both camps

Von Eleanor Knight, 17. Oktober 2025

The 74th Wexford Opera Festival opens with the French revision of Il trovatore that Verdi reforged for the Paris Opera.

***11

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***11

Wexford

17. Okt. 2025

Spanish Civil War Trouvère opens Wexford Festival Opera

Von Eleanor Knight

Na'ama Goldman (Cesira) © Clive Barda | ArenaPAL

Wexford

Impassioned rendition of Tutino's Two Women at Wexford Festival Opera

Von Andrew Larkin, 26. Oktober 2023

Artistic Director Rosetta Cucchi makes a compelling case for Marco Tutino's impassioned opera on the horrors of war from a woman's perspective.

****1

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****1

Wexford

26. Okt. 2023

Marco Tutino's Two Women at Wexford Festival Opera

Von Andrew Larkin

Wexford

Rough magic: Fromental Halévy’s La Tempesta opens Wexford Opera Festival

Von Roy Westbrook, 21. Oktober 2022

Wexford Festival thrives on resurrecting long-forgotten operas, so is the perfect place for Halévy's take on Shakespeare, neglected for 170 years.

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Wexford

21. Okt. 2022

Rough magic: Halévy’s La Tempesta opens Wexford Opera Festival

Von Roy Westbrook