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Happy End für Salome? Christof Loys Inszenierung an der Finnischen Nationaloper Helsinki

Von Rainer Zerbst, 7. April 2022

Christof Loy ist eine glaubhafte psychologische Durchdringung der Handlung und ihrer Protagonisten gelungen, die in jeder Sekunde aus der Musik heraus empfunden ist.

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Helsinki

7. Apr. 2022

Happy End für Salome? Christof Loys Inszenierung in Helsinki

Von Rainer Zerbst

Nina Bezu (Iolanta) and Edgaras Montvidas (Vaudémont) © Emma Suominen

Helsinki

Dramatically tense double bill pairs Iolanta with Luonnotar at Finnish National Opera

Von No’a L. bat Miri, 15. Mai 2026

In Helsinki, Antony McDonald pairs Tchaikovsky’s Iolanta with a staged version of Sibelius’ tone poem Luonnotar, brilliantly voiced by soprano Silja Aalto.

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Helsinki

15. Mai 2026

Iolanta paired with Luonnotar in dramatic Helsinki double bill

Von No’a L. bat Miri

Helsinki

Elisabet Strid renders Tosca an Everywoman at Finnish National Opera

Von No’a L. bat Miri, 19. November 2025

Christof Loy’s psychological staging returns to the stage of Finnish National Opera, with Swedish soprano Elisabet Strid compelling in the title role.

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Helsinki

19. Nov. 2025

Elisabet Strid renders Tosca an Everywoman in Helsinki

Von No’a L. bat Miri

Helsinki

Salonen's Helsinki Rheingold celebrates Finnish vocal talent as new Ring launches

Von Nahoko Gotoh, 14. September 2019

For any opera house, the production of a new Wagner Ring cycle is a huge undertaking and becomes a mission statement. For Finnish National Opera, its mission is to stage an all-Finnish Ring.

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Helsinki

14. Sept. 2019

Salonen's Helsinki Rheingold celebrates Finnish vocal talent

Von Nahoko Gotoh

Stockholm

Esa-Pekka Salonen’s Rheingold: a Finnish tour de force

Von Aksel Tollåli, 25. August 2019

In an unusually convincing concert performance, Esa-Pekka Salonen and the Finnish National Opera emphasised the lyrical aspects of Wagner's Das Rheingold.

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Stockholm

25. Aug. 2019

Esa-Pekka Salonen’s Rheingold: a Finnish tour de force

Von Aksel Tollåli

Savonlinna

Staging, spectacle, singing: three-card trick at Savonlinna's new Queen of Spades

Von Roy Westbrook, 10. Juli 2018

This was more stadium rock than stuffy opera house, lighting as ‘metaphor made real’ as the lovers were – literally – star-struck, blinded by love.

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Savonlinna

10. Juli 2018

Staging, spectacle, singing: three-card trick at Savonlinna

Von Roy Westbrook