Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Kosuke Okumura

National Ballet of Japan in Kenneth MacMillan’s Manon has been revived six years after its performances were cancelled because of the pandemic. Exceptionally good interpretations led the opening night performance.

Christopher Wheeldon’s Alice’s Adventures in Wonderland returned to the National Ballet of Japan, a marvelous production that amply displays the many talents of the company. 

National Ballet of Japan has revived its version of La Bayadère choreographed by former director Asami Maki. Brilliantly performed by strong lead dancers, the Kingdom of the Shades was particularly breathtaking.

National Ballet of Japan's 2023/24 season opened to a very appreciative audience with Alexei Fadeyechev’s Don Quixote. 

NBJ shows a contemporary double bill choreographed by Motoko Hirayama; a powerful and daring programme that strengthens their dancers’ versatility.

NBJ's season opens with a successful new production of the 19th-century classic Giselle, directed by Miyako Yoshida and choreographed by Alastair Marriott.

A much beloved production with magical charm, National Ballet of Japan's Cinderella, choreographed by Fredrick Ashton, is successfully performed to a full house audience, thanks to coaching by Miyako Yoshida who performed the role in her days at The Royal Ballet. 

National Ballet of Japan successfully performs two very different pieces, George Balanchine's Theme and Variations and David Bintley's Still Life at the Penguin Café, amid the ongoing COVID-19 crisis.  

The National Ballet of Japan's Ryuuguu: the Turtle Princess is a ballet aimed at family audiences but adults can also enjoy it as it is a great showcase for Japanese culture with Noh and Kabuki influences and philosophy. 

New National Theatre Tokyo's gala evening of six works by six pairs of dancers was a brilliant evening showing works from Japan's leading choreographers and dancers. 

In the National Ballet of Japan's Sleeping Beauty, the fulfilment and joy of being able to dance was apparent in the whole company and the result was glorious. 

New Year Ballet displayed the versatility of the National Ballet of Japan, from the 19th-century classic Paquita, to three works by Japanese choreographers and David Bintley's “Still Life” at the Penguin Café.

National Ballet of Japan marks a triumphant season opening of Don Quixote with new director Miyako Yoshida, the first ballet performance in 8 months with full seating capacity audience and live orchestra. .