Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Mitchell Riley

Pinchgut Opera always has a lot to offer, but this time their delivery proves patchy in ‘Coffee and a Dead Canary’. 

A powerful work by brave innovators is a legacy for the departing Opera Australia Artistic Director. 

Monodramas by Francis Poulenc, Kaija Saariaho and Jack Symonds feature in a triple bill on the themes of love, loss and absence. 

Absorbing performances from Mitch Reilly and Jack Symonds render Dusapin's O Mensch a highly charged experience at the end of the Sydney Festival.

A new opera by Alison Croggon and Michael Smetanin on the Soviet poet Mayakovsky is an intense experience in the production by Sydney Chamber Opera under Jack Symonds.

Sydney Chamber Opera deliver a thrilling double-bill of works by Kurtág and Benjamin under the direction of Jack Symonds, at the Sydney Festival 2014.

Three days after seeing the Metropolitan Opera’s broadcast version of Wagner’s Parsifal, I attended Climbing Toward Midnight, Jack Symonds’ compositional response to this same opera, directed by Netta Yashchin.

Sydney Chamber Opera’s latest venture, a production of Sir Peter Maxwell Davies’ 1979 piece The Lighthouse, played to a packed Carriageworks theatre on Monday. In an era when the continued viability of classical music institutions is debated hotly, the fact that this new company can pull in the crowds for a challenging modernist work is cause for congratulation.