Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Natalia Lomeiko

Alessio Bax's inaugural London Festival of Chamber Music sets off with a spring in its step.

I suspect that we seek out many of the world’s great soloists beacuse we know what we will get, but we might well seek out Buniatishvili because we don’t.

Of the two major orchestras performing in Auckland, the Auckland Philharmonia consistently has the more interesting programming (in recent reviews I’ve praised them in everything from Messiaen to Bach). It was interesting, then, to hear them in the bread-and-butter symphonic repertoire of Bruch and Brahms.

Eight seasons were performed at St George’s Bristol by the Oxford Philomusica: in this different approach to Vivaldi’s Four Seasons, they added Ástor Piazzolla’s The Four Seasons of Buenos Aires. The concept behind the concert was to combine old and new worlds of classical music, comparing works from the 18th and 20th centuries based on similar structures, and four sonnets depicting the seasons.

Benedetti’s Beethoven was changed, at late notice, to Lomeiko’s Tchaikovsky. Sadly, the renowned violinist Nicola Benedetti was not able to make the performance, but her replacement was wonderful. Internationally established Russian violinist and professor at the Royal College of Music, Natalia Lomeiko stepped up to play the Tchaikovsky Violin Concerto in D major instead of Beethoven’s concerto.

Oxford’s Sheldonian Theatre was nearly full for the concert on Thursday night. Billed “Russian Greats”, the programme mixed the familiar fare of Tchaikovsky and Shostakovich with a world première by the Oxford-based composer Chris Garrard.

In this programme packed with Romantic intensity, the Russian Lomeiko-Zhislin duo demonstrated their versatility and ingenuity in crafting a programme of varied instrumental combinations.First they were joined by pianist Katia Skanavi for three pieces by Bruch, whose skill as a miniaturist was reminiscent of Grieg and Dvorak in its persuasive lyricism.