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Born in 1920 to a Venetian bandmaster, Bruno Maderna became famous during his formative years as a violin prodigy and was told by his grandfather that he could gravitate to the mafia later in life and God would still look kindly on one who played the violin so wonderfully.

The venerable Viennese tradition of airing dirty operatic laundry in public found an unlikely proponent this season in the form of the Theater an der Wien’s mild-mannered director Roland Geyer, who, unhappy with William Friedkin’s production of The Tales of Hoffmann in March, abruptly sacked the American director and announced he would devise a new staging himself a matter of months before the sec