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Physical comedy detracts from Pinchgut Opera's musically ravishing Orontea in Sydney

Von Jeremy Eccles, 26. Mai 2022

Ravishing music and performances, a crazy G&S plot, but physicality that tends to distract in Constantine Costi's production.

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Sydney

26. Mai 2022

Physical comedy detracts from Pinchgut's musically ravishing Orontea

Von Jeremy Eccles

Sydney

The return of Monteverdi: Pinchgut takes on Il ritorno d'Ulisse in patria

Von David Larkin, 13. Juni 2019

Monteverdi’s Il ritorno d’Ulisse in patria is given the Pinchgut treatment, with an abstract staging complementing historically informed music-making under Erin Helyard.

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Sydney

13. Juni 2019

Pinchgut takes on Il ritorno d'Ulisse in patria

Von David Larkin

Sydney

L'incoronazione di Poppea: cynical production, glorious music from Pinchgut Opera

Von Sandra Bowdler, 30. November 2017

Pinchgut Opera's L'incoronazione di Poppea is a glorious feast of singing, acting and playing but the production is brutal, taking Monteverdi's vision of corruption in high places to excessive lengths.

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Sydney

30. Nov. 2017

Pinchgut's Poppea: cynical production, glorious music

Von Sandra Bowdler

Hove

Rare revival of the earliest known opera by a female composer at Brighton Early Music Festival

Von Nahoko Gotoh, 7. November 2015

Francesca Caccini’s La Liberazione di Ruggiero dall’Isola di Alcina, performed at the Medici court in Florence in 1625, is said to be the first opera composed by a female composer.

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Hove

7. Nov. 2015

Rare revival of the earliest known opera by a female composer

Von Nahoko Gotoh