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A clever programme of mid-20th century American music by Carter, Copland and contemporaries, watered down with a light sprinkling of Arlen and Gershwin.

The fourteen-year-old Benjamin Britten was already a prolific young composer, albeit without any formal training, when he heard Frank Bridge’s The Sea at the 1927 Norfolk and Norwich Triennial Festival. Hearing this performance and also meeting Bridge (who later became his composition teacher) were seminal events in the youngster’s life.