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Sandro Rossi (Giulio Cesare) © Julian Guidera

Et tu, Brute? A pocket-sized Giulio Cesare graces London’s East End

Von Mark Pullinger, 3. September 2026

She came, she saw, she conquered. Serbian soprano Radoslava Vorgić steals the show as a radiant Cleopatra in Grimeborn Opera Festival's Giulio Cesare in Egitto.

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London

3. Sept. 2026

A pocket-sized Giulio Cesare in London’s East End

Von Mark Pullinger

Giuseppe Pellingra (Lord Ruthven) and Amber Reevs (Emmy) © Craig Fuller

London

Once bitten: Marschner’s Der Vampyr given a camp reboot by Gothic Opera

Von Mark Pullinger, 14. August 2024

Julia Mintzer’s feminist twist on Marschner for Gothic Opera is a scream as Der Vampyr opens the 17th Grimeborn festival in Dalston.

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London

14. Aug. 2024

Marschner’s Der Vampyr given a camp reboot by Gothic Opera

Von Mark Pullinger

London

An unlikely pair: Argento and Copland in a Grimeborn double bill

Von Timmy Fisher, 1. August 2019

Grimeborne's lopsided production of Miss Haversham's Wedding Night and 12 Poems of Emily Dickinson is both trick and treat.

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London

1. Aug. 2019

An unlikely pair: Argento and Copland in a Grimeborn double bill

Von Timmy Fisher

London

Slim-line Rheingold opens at Grimeborn Festival

Von Mark Valencia, 31. Juli 2019

Jonathan Dove's lean reduction of Wagner’s score for just 18 players is performed at the Grimeborn Festival in Julia Burbach's staging.

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London

31. Juli 2019

Slim-line Rheingold opens at Grimeborn Festival

Von Mark Valencia

London

Paper lanterns and origami wings: a ghostly Madama Butterfly at Grimeborn

Von Mark Pullinger, 26. August 2015

A Madama Butterfly from beyond the grave? What would Julia Burbach's concept add to the familiar thread of Puccini's opera?

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London

26. Aug. 2015

Paper lanterns and origami wings

Von Mark Pullinger

London

Mystical motherhood: The Medium and The Wanton Sublime at Grimeborn

Von Charlotte Valori, 26. August 2015

A double bill from Sir Peter Maxwell Davies and Tarik O'Regan gives us two unsettling portraits of women whose lives have been indelibly touched by the eternal: an unamed Victorian medium, and the Virgin Mary.

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London

26. Aug. 2015

Mystical motherhood at Grimeborn

Von Charlotte Valori

London

Blame game: Strauss' Daphne at Grimeborn

Von Charlotte Valori, 20. August 2015

A disappointingly po-faced and directorally hidebound production almost takes the shine off a superb Daphne starring Justine Viani, with an exciting Peneios from Welsh bass James Gower.

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London

20. Aug. 2015

Blame game: Strauss' Daphne at Grimeborn

Von Charlotte Valori

London

Tawdry goings on: Gala at Grimeborn

Von Charlotte Valori, 16. August 2015

A double geriatric sex scene, and real-life bunny boiling, are crude gimmicks which fail to rescue a flaccid, complacent 40 minutes courtesy of Ergo Phizmiz.

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London

16. Aug. 2015

Tawdry goings on: Gala at Grimeborn

Von Charlotte Valori

London

Modified Turkish delight: Tchouhadjian’s Gariné unveiled at Grimeborn

Von Mark Pullinger, 14. August 2015

Last night, Glyndebourne presented Mozart’s Die Entführung aus dem Serail at the Proms, a tale of intrigue in a Turkish harem. At Grimeborn Festival, a grungy, hip East End alternative, we had the genuine article: Gariné, an opera buffa by Turkish/Armenian composer Dikran Tchouhadjian.

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London

14. Aug. 2015

Modified Turkish delight: Tchouhadjian’s Gariné

Von Mark Pullinger

London

Love conquers all, kills some, exiles others: Monteverdi's The Coronation of Poppea at Grimeborn

Von Charlotte Valori, 29. August 2014

Nina Brazier’s production for Ryedale Festival Opera, on tour at Grimeborn, resoundingly succeeds on all levels, giving us an evening of luxurious beauty, abandoned sensuality and superb characterisation.

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London

29. Aug. 2014

Love conquers all, kills some, exiles others

Von Charlotte Valori

London

Biting the hand that feeds: Madame X at Grimeborn

Von Charlotte Valori, 27. August 2014

Tim Benjamin's new opera is full of good ideas: too full, of too many of them, with a lacklustre and tired plot that doesn't deliver what it promises, despite a gifted and committed cast who resolutely try their best.

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London

27. Aug. 2014

Biting the hand that feeds: Madame X at Grimeborn

Von Charlotte Valori

London

A wonderful tale of woe: Massenet's Werther at Grimeborn

Von Charlotte Valori, 20. August 2014

Aylin Bozok's modern and minimalist Werther, beautifully realised and superbly acted with the innovative addition of a silent character, is utterly heartbreaking.

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London

20. Aug. 2014

Werther: A wonderful tale of woe

Von Charlotte Valori

London

Knock, Knock, Who's There? Menotti's The Medium at Grimeborn Festival

Von Charlotte Valori, 15. August 2014

Menotti's strange morality tale about the dangers of conjuring up responses from the Other Side gets an original and creative outing at Grimeborn, including an aerialist on stage at all times.

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London

15. Aug. 2014

Knock, Knock, Who's There? Menotti's The Medium at Grimeborn Festival

Von Charlotte Valori