Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Cleveland Institute of Music: Mixon Hall

Contemporary programming at this year's festival brings a sensitive social issue close to home, culminating in Judith Markovich's “Oh, my son…” 

An idiosyncratic outing at Chamberfest Cleveland recounts original sin in ragtime and finds redemption in a neglected wartime masterpiece.

Smart sophistication and creepy entertainment go hand-in-hand in an excursion to odd corners of the chamber repertoire.

ChamberFest Cleveland’s Hungarian evening traversed works of Liszt, Eötvös, and Dohnányi, alongside Brahms’ apt Hungarian Dances.

Ravel and Bartók shared the program with Gershwin, Brubeck, Thelonious Monk and others in this imaginative program.

Works by Haydn, Johann Strauss (as reconceived by Alban Berg) and Britten filled out this concert in the midst of the fourth season of splendid chamber concerts featuring top-notch playing by local and guest musicians.