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Opera Atelier's return to the earliest part of the repertoire with Monteverdi's Il ritorno d'Ulisse in patria showcases their strengths in a relatively restrained production anchored by a strong ensemble cast.

Opera Atelier’s latest production mixes traditional-specific touches the company is known for, and more high-concept inclusions. The results are mixed — but the singing is spectacular.

With sumptuous design, delightful choreography, and exceptional musicality, Opera Atelier’s Persée is a feast for the eyes and ears.

The Giacomo Variations takes its time really getting down to business – the business Giacomo Casanova was in – the business of love.It begins with a lot of theatre business. The set, designed by Renate Martin and Andreas Donhauser, consists of three gigantic Marie-Antoinette skirts. Lift one and there’s a bed for romping.

Opera Atelier espouses truth in advertising: The Magic Flute, they tell us, is a Singspiel in two acts. You can call it a play with songs, a musical comedy, even an operetta, but hardly an opera in the traditional sense. Call it what you will, this is Opera Atelier’s fourth production of the work in the last 22 years.

Opera Atelier has made its reputation as a producer of 17th- and 18th-century operas for more than a quarter of a century, based at the elegant Elgin Theatre in Toronto since 2000. This year it has made a leap into another era and another century with a gorgeous production of Carl Maria von Weber’s Der Freischütz.