Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Der Tod, das ist die kühle Nacht, (Death is the Cool Night), Op.96 no.1

A program of Schumann and Brahms fails to cohere due to fussy mannerisms and tentative playing. 

Marlis Petersen et Stephan Matthias Lademann ont offert au public de Bozar une passionnante expérience imaginaire et poétique, à travers un répertoire fin de siècle très émouvant.

British lyric tenor Ian Bostridge presents an outstanding Schubert recital with his regular partner Julius Drake. 

Marian Anderson, the famed African-American contralto, once remarked of Kathleen Ferrier, “My God, what a voice – and what a face!” This concert was a Centenary Celebration of Ferrier’s art at the Wigmore Hall, and I reflected (not for the first time) how aptly Anderson’s words could also apply to Alice Coote, the evening’s distinguished soloist.

This was the first concert of Oxford Lieder's new season, and setting the bar pleasingly high for those who will come after was the partnership of tenor John Mark Ainsley, veteran of concert and opera stage alike, and Roger Vignoles, a name synonymous with the highest levels of professionalism in the accompaniment of song.