| RCM Opera Studio | ||
| Michael Rosewell | Musikalische Leitung | |
| Louise Bakker | Regie | |
| Becky-Dee Trevenen | Bühnenbild | |
| RCM Symphony Orchestra | ||
| Marcus Swietlicki | Tenor | Don Giovanni |
| Alexandra Dunaeva | Sopran | Donna Anna |
| Georgia Melville | Sopran | Donna Elvira |
| Ellen Pearson | Mezzosopran | Donna Ximena |
| Sam Harris | Tenor | Duca Ottavio |
| Daniel Barrett | Bass | Pasquariello |
| Sam Hird | Bariton | Biagio |
| Henna Mun | Sopran | Maturina |
| David Fraser | Bass | Il Commendatore |
| Benedict Munden | Tenor | Lanterna |
The legend of Don Giovanni has inspired many artists over the centuries, including Italian composer Giuseppe Gazzaniga, whose one-act opera predates Mozart's by just nine months.
A tale of seduction and destruction, Don Giovanni's spectacular downfall begins with a fatal duel. The antihero embarks on a spree, attempting to woo all those he encounters, before being dragged to his death by a statue come to life – the spirit of the man he killed – in the ultimate act of revenge.
Premiered in February 1787, Don Giovanni Tenorio was Gazzaniga's most successful work within his impressive collection of over 50 operas – but is now rarely performed. With the composer's light, Venetian style and Giovanni Bertati's comic libretto, this is a unique opportunity to hear the fascinating 90-minute opera that inspired future retellings of the tale.
This production is made possible with the assistance of the Basil Coleman bequest.
Please note this production contains adult themes, sexual references and violence, and may not be suitable for children.