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Performer: Ana María Martínez

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ChicagoMadama Butterfly

Puccini: Madama Butterfly
Henrik Nánási; Michael Grandage; Lyric Opera of Chicago; Christopher Oram; Ana María Martínez; Lianna Haroutounian

New York CityMadama Butterfly

Puccini: Madama Butterfly
Pier Giorgio Morandi; Anthony Minghella; Metropolitan Opera; Michael Levine; Han Feng; Ana María Martínez; Andrea Carè

HoustonBeethoven + López

Beethoven, López
Houston Symphony; Fabien Gabel; Ana María Martínez; Alexandra Dăriescu; Damon Gupton; Houston Symphony Chorus

ParisMadame Butterfly

Puccini: Madama Butterfly
Giacomo Sagripanti; Robert Wilson; Opéra national de Paris; Frida Parmeggiani; Ana María Martínez; Dinara Alieva
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Sir John in Love: the fat knight returns to Covent Garden

Sir Bryn Terfel (Falstaff) and Rupert © ROH | Catherine Ashmore
Sir Bryn Terfel’s Falstaff is still a cherishable rogue as he takes on the title role in Robert Carsen’s joyous staging at the Royal Opera. 
****1
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Questions unanswered in a Così fan tutte revival in Chicago

Marianne Crebassa (Dorabella) © Cory Weaver
Synergies between singers compensated for accurate but unexciting orchestral playing.
***11
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Mozart's genius shines clearly in San Francisco Opera's darkly comic production of Don Giovanni

Ana Maria Martinez (Donna Elvira), Erin Wall (Donna Anna) Stanislas de Barbeyrac (Don Ottavio) © Cory Weaver/San Francisco Opera
Dangling and turning like shards of a giant overhead chandelier in Don Giovanni’s banquet hall, this is an evocative multimedia production that tantalizes the senses while shining new light on Mozart's genius. 
****1
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Minimalist Onegin on the Lyric Opera stage

Mariusz Kwiecień (Onegin) and Ana María Martínez (Tatyana) © Todd Rosenberg
The finale was the dramatic and musical high of the night, when both Ana María Martínez and Mariusz Kwiecień let themselves cut loose, laying waste to the bare stage.
***11
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Musically perfect Don Carlo in San Francisco

Michael Fabiano (Don Carlo) and Mariusz Kwiecień (Rodrigo) © Cory Weaver | San Francisco Opera
A dream cast come true in Don Carlo at San Francisco Opera. Emilio Sagi's direction is the only weak link in this production.
****1
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