Neue Kritikenmehr...
Falling for Kyle Abraham, again, at New York City Ballet
When We Fell, Kyle Abraham’s bracing new piece for NYCB, made a minimalist statement on a maximalist quadruple bill, also notable for stunning ensemble work in Alexei Ratmansky's Odesa.
NYCB: Orpheus – once hot, now on life support
Someone at New York City Ballet needs to believe in Orpheus before they present it again.
BAAND Together Festival unites 5 top-tier dance companies
It's got a lot of appeal, with a diverse range of choreography, and offering audiences the chance to see excellent dancing and even some partnerships forming from different companies.
NYCB: spring season's new ballets draw a younger, more diverse crowd
Both the new works are accessible ballets in the neoclassical style that is typical of the company.
NYCB's tribute to Stravinsky and Balanchine continues
A Greek-themed triple bill is presented with mixed success, although Agon still stands up well, with Unity Phelan making her debut in the central pas de deux.
New York City Center’s Fall for Dance 2020
New York City Center’s annual Fall for Dance festival heads online in a pair of programs, one much stronger than the other.