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Performer: Carlos Gonzalez

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Of myth and music: American Ballet Theatre’s Sylvia

Chloe Misseldine as Sylvia in Sir Frederick Ashton’s Sylvia © Elaina Francis
American Ballet Theatre brings back the Ashton classic Sylvia and offers tremendous central performances.
****1
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ABT's Theme and Variations delivers star quality performances

Chloe Misseldine and Joe Won Ann in Have We Met?! by Juliano Nuñes © Steven Pisano
American Ballet Theatre presented a well balanced program of Nuñes, Ratmansky and Balanchine which produced some revelatory performances.
*****
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ABT: Ashton's Sylvia showcases the entire company

Chloe Misseldine as Sylvia in Frederick Ashton's Sylvia © Nir Arieli
The audience walked out of the theater feeling airborne and filled with the kind of joy you only feel after a truly special performance. Sylvia is an absolute treasure.
*****
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American Ballet Theatre: a lack of chemistry sinks Swan Lake

American Ballet Theatre in Kevin McKenzie's Swan Lake © Rosalie O'Connor
ABT's Swan Lake suffered due an obvious lack of rapport between its lead dancers but there was still some fine dancing on offer.
***11
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American Ballet Theatre: Kyle Abraham's Mercurial Son disappoints

American Ballet Theatre in Gemma Bond's La Boutique © Emma Zordan
Bond’s La Boutique was delightful, Abraham’s Mercurial Son, a little disappointing but Lander's Études sent the audience home happy.
****1
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ABT's Romeo and Juliet succeeds with strong dance actors

Catherine Hurlin as Juliet and Calvin Royal III as Romeo in MacMillan's Romeo and Juliet © Rosalie O'Connor
I have a theory that Kenneth MacMillan’s Romeo and Juliet is a perfect starter ballet. It is harder for experienced ballet regulars to work up the same enthusiasm for this ballet. 
***11
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