Neue Kritikenmehr...
Watery magic as Nicole Car makes a triumphant return to Sydney
Nicole Car makes her role debut as Dvořák's Rusalka in a production by Sarah Giles that proves a winner.
Nobody puts Bangarra in the corner: Illume delivers a powerful message
Bangarra Dance Theatre's 2025 commissioned work reclaims space and offers ambitious visuals, but sacrifices intimacy.
A peerless Violetta in Opera Australia's Traviata revival
Emotions on stage are matched by those rising from the pit as Sarah Giles' popular production returns to Sydney.
Études/Circle Electric: The Australian Ballet in contrasting works
The Australian Ballet presents a diverse double bill of contemporary and classical dance, including its first major work from choreographer in residence Stephanie Lake. Unfortunately, only the classical piece exhilarates.
Fresh breezes bring change: Opera Australia’s new Traviata delights
Sarah Giles' new production replaces Elijah Moshinsky's venerable staging, and the talented cast delivers a successful performance.
Pinchgut Opera brings Marc-Antoine Charpentier's Médée to Sydney
Erin Helyard and his cast bring terrifically strong musical values to Charpentier's Médée, but Justin Way's production falters.