Neue Kritikenmehr...
A psychological Turandot in Ann Yee's Opera Australia staging
Opera Australia's new Turandot succeeds with musical, dramatic and visual values with a mix of local and imported talent.
Uncompromising theatre: Gilgamesh world premiere
A powerful work by brave innovators is a legacy for the departing Opera Australia Artistic Director.
Sydney Dance Company’s Twofold: a quirky bulldozer of authenticity
Sydney Dance Company premieres Melanie Lane’s Love Lock, alongside existing repertoire Impermanence by Rafael Bonachela. It’s a work of bold genius and a dazzling double bill that's not to be missed.
Trilogy: a brilliantly diverse triple bill
Cathy Marston’s My Brilliant Career premieres in Brisbane within a diverse triple bill that shows off Queensland Ballet's versatility.
Sydney Dance Company seizes the moment with Impermanence
SDC delivers this long-awaited world premiere by Rafael Bonachela, featuring a Bryce Dessner score performed to perfection by the Australian String Quartet.
The Repairing of Lucretia
The problematic nature of Britten's Rape of Lucretia is well-known: Sydney Chamber Opera's production attempts to navigate it via gender inversion.