Performer: Dominic Armstrong

Contemporary programming at this year's festival brings a sensitive social issue close to home, culminating in Judith Markovich's “Oh, my son…” 

A disappointing decision to downplay the ghosts and uneven performances made for a difficult and distracting in situ staging of Britten's adaptation of the classic Henry James thriller. 

Two charming operas featured splendid singing in a haze of choreography, staging and projections in a setting that had the feel of being live in a surround sound movie theater.