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AmsterdamMahler Academy Orchestra: Mahler's Symphony No. 9

Mahler
Gustav Mahler Academy Orchestra; Philipp von Steinaecker; Fleur Barron
PragueRadek Baborák / Fleur Barron / Andrew Staples

Williams, Mahler
Czech Philharmonic; Daniel Harding; Radek Baborák; Fleur Barron; Andrew Staples
LondonA Kabuki Winterreise: 'Spring Snow'

Schubert: Winterreise D911 (Nos. 1-12, interspersed with kabukimono short kabuki interludes)
Fleur Barron; Suleiman Suleiman; Julius Drake; Sonoko Kamimura-Ostern
LondonSir Antonio Pappano & Fleur Barron

Lyadov, Kendall, Tschaikowsky
London Symphony Orchestra; Sir Antonio Pappano; Fleur Barron
LondonFleur Barron / Mauro Peter / Joseph Middleton

Bach, Mahler, Schubert, Britten, Crumb
Fleur Barron; Mauro Peter; Joseph Middleton
LondonFleur Barron / Shengzhi Ren / Tom Poster / Kaleidoscope Chamber Collective

Mahler, Ho
Fleur Barron; Shengzhi Ren; Tom Poster; Kaleidoscope Chamber Collective
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Superlative: Mahlers Achte mit den Berliner Philharmonikern

Unter dem Dirigat von Kirill Petrenko ist die Symphonie Nr. 8 von Gustav Mahler keine Symphonie der dröhnenden 1000 Dezibel, sondern eine Symphonie des Atems und der Berührung.
Klänge werden Landschaft: One morning turns into an eternity

Die Zweite Wiener Schule und Mahler: Schönbergs Monodram „Erwartung“ und Mahlers „Abschied“ kann Peter Sellars in einer halbszenischen Fassung als Ganzes nebeneinander stellen
Carlo Rizzi brings Respighi’s Rome to Birmingham

Carlos Rizzi believes that Puccini’s orchestrations are good enough to stand alone, without their vocal lines, but can the drama compete with the romance of Respighi?
A vocally perplexing economics assignment from David Lang

The New York Philharmonic and Gustavo Dudamel deliver the world premiere of Lang's The wealth of nations, inspired by Adam Smith's famous treatise.
Searing Kindertotenlieder from Fleur Barron and Czech Philharmonic

Fleur Barron delivers a searing Kindertotenlieder in the Czech Philharmonic's mini-survey of the Germanic Romantic repertoire under Semyon Bychkov.
Les péchés capiteux d'Axelle Fanyo et Fleur Barron à l'Athénée

Les deux chanteuses ont proposé un panorama innovant des sept péchés capitaux à travers les styles et les cultures, avec la complicité unificatrice de Julius Drake au piano.
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New York CityTrio Afiori (Fleur Barron, mezzo-soprano; Anthony McGill, clarinet; Gloria Chien, piano)

Brahms, Okpebholo, Saint-Saëns, Kahane, Ravaei
Trio Afiori; Fleur Barron; Anthony McGill; Gloria Chien
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Rising stars: ten to watch in 2025–26

With so many talented young artists appearing in this season, editor Mark Pullinger selects ten we’re particularly excited to follow this year.
