Neue Kritikenmehr...
Maltman’s Iago the driving force in tepid Otello revival
The Royal Opera's revival of Keith Warner's staging feels underbaked, although interest is largely focused on the pit as the latest contender to take over from Antonio Pappano as Music Director is auditioned.
The Royal Opera's young artists excel in a Weill-Brecht double bill
As theatre, Isabelle Kettle's staging of Kurt Weill's Seven Deadly Sins is timelessly harrowing and bang up to date.
JPYA make a decent fist of Handel's Susanna in the Linbury Theatre
The evening’s most unbuttoned applause was reserved for two native anglophone artists, countertenor Patrick Terry and bass-baritone Michael Mofidian.