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Performer: Joo Won Ahn

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A spectacular triple bill lifts ABT’s spring season in New York

Devon Teuscher in George Balanchine's Mozartiana © The George Balanchine Trust. Nir Arieli
A finely curated triple bill from American Ballet Theatre included works from Balanchine, Jiří Kylián and Alexei Ratmansky.
****1
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ABT's Theme and Variations delivers star quality performances

Chloe Misseldine and Joe Won Ann in Have We Met?! by Juliano Nuñes © Steven Pisano
American Ballet Theatre presented a well balanced program of Nuñes, Ratmansky and Balanchine which produced some revelatory performances.
*****
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ABT presents the classics with slightly uneven results

Chloe Misseldine as Nikiya and Joo Won Ahn as Solor in The Kingdom of the Shades © Steven Pisano
ABT offer some outstanding performances in a classical quadruple bill but there was a lack of confidence and uniformity within the corps de ballet. 
***11
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He's not nice, he's amazing: ABT's Fall season opener

Devon Teuscher and American Ballet Theatre in Harald Lander's Études © Rosalie O'Connor
A strong opening to ABT’s fall season, the company often seemed stagnant in the last years of Kevin McKenzie’s directorship. It is now more exciting. New leadership, new faces.
****1
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Ashton's The Dream awakens at ABT

Cassandra Trenary and Daniel Camargo in The Dream © Rosalie O’Connor
Which choreographer's adaptation of A Midsummer’s Night Dream is superior, Ashton or Balanchine? This season, New Yorkers get to compare as ABT revives Ashton's The Dream as part of its Fall season. 
****1
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Radiant cast almost awakens Ratmansky's Sleeping Beauty

If the audience response was not very enthusiastic, it's because Ratmansky's Sleeping Beauty four years after its premiere still comes across as more of a museum piece than a living, breathing ballet. This is a Beauty that never really wakes up.
****1
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