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PragueThe Bartered Bride (Prodaná nevěsta)
Smetana: Die verkaufte Braut
Jaroslav Kyzlink; Alice Nellis; Prague National Theatre Opera; David Švec; Matěj Cibulka; Kateřina Štefková
PragueDon Giovanni
Mozart: Don Giovanni
Zbyněk Müller; Alexander Mørk-Eidem; Prague National Theatre Opera; Jiří Habart; Christian Friedländer; Jenny Ljungberg; Ellen Ruge
PragueCarmen
Bizet: Carmen
Zbyněk Müller; Grischa Asagaroff; Prague National Theatre Opera; Rastislav Štúr; Luigi Perego; Daniel Tesař
PragueLe nozze di Figaro (The Marriage of Figaro)
Mozart: Le nozze di Figaro (Die Hochzeit des Figaro)
Marek Šedivý; Barbora Horáková; Prague National Theatre Opera; Julia Jones; Falko Herold; Nicole von Graevenitz; Ivo Dankovič
BrnoThe Cunning Little Vixen
Janáček: Das schlaue Füchslein
Tomáš Netopil; Jiří Heřman; Janáček Opera NTB; Dragan Stojčevski; Alexandra Grusková; Daniel Tesař; ORF Radio-Symphonieorchester Wien
BrnoKátya Kabanová
Janáček: Kátja Kabanová
Ondrej Olos; Robert Carsen; Janáček Opera NTB; Patrick Kinmonth; Peter van Praet; Janáček Opera NTB Orchestra
Neue Kritikenmehr...
Wenn die Seele ihre Flügel ausspannt: Jakub Hrůša in Bamberg
Die Eröffnung der Konzertsaison der Bamberger Symphoniker bestach durch ein bezwingendes geistliches Programm aus zumeist mährischer Herkunft.
Eine aparte Paarung von Ravel und Mahler der Bamberger Symphoniker
Jakub Hrůša, Hélène Grimaud und Kateřina Kněžíková entdecken Zwischentöne in großer Symphonik.
Musically excellent Bartered Bride in Prague marred by meta production
Smetana in Prague is never likely to be less than a delight, and the National Theatre assembles a fine cast for a revival of Alice Nellis' production of his greatest opera.
A sensational Kátya Kabanová in Brno shows Janáček at his very best
A revival of Robert Carsen's production at the Janáček Festival Preview benefits from an excellent cast and exemplary playing from the house ensemble.
Hrůša’s ambitious but uneven Night at Covent Garden
Dvořák’s rarely heard oratorio The Spectre’s Bride fails to ignite, leaving a performance caught uneasily between respect and restlessness.
Glyndebourne revives Michieletto’s Kátya Kabanová
Damiano Michieletto’s production of Janáček’s opera breaks a key tenet of high-concept opera: where it should reveal, it obfuscates.
Neuste Artikel
Becoming human: Kateřina Kněžíková on Rusalka
Soprano Kateřina Kněžíková talks about embodying Dvořák’s water nymph who tragically yearns to become human – and her personal journey with this most famous of Czech operatic roles.