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Performer: Lucie Hájková

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PragueSweeney Todd

Adam Plachetka (Sweeney Todd) and Barbora Perná (Mrs Lovett) © Serghei Gherciu
Sondheim: Sweeney Todd
Anna Pozidis; Martin Čičvák; The Czech National Opera; Richard Hein; Hans Hoffer; Georges Vafias; Jan Dörner

PragueIl barbiere di Siviglia

© Zdenek Sokol
Rossini: Il barbiere di Siviglia (Der Barbier von Sevilla)
Jaroslav Kyzlink; Magdalena Švecová; The Czech National Opera; Jan Chalupecky; David Janošek; Kateřina Štefková; Pavla Beranová

PragueSweeney Todd

Prague National Theatre
Sondheim: Sweeney Todd
Anna Pozidis; Martin Čičvák; The Czech National Opera; Richard Hein; Hans Hoffer; Georges Vafias; Jan Dörner
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Hitting all the wrong notes: Sweeney Todd at Prague State Opera

Adam Plachetka (Sweeney Todd) and Barbora Perná (Mrs Lovett) © Serghei Gherciu
Strong singing and sharp choreography cannot rescue a hybrid version of Sweeney Todd staged by director Martin Čičvák.
**111
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Musically excellent Bartered Bride in Prague marred by meta production

Alžběta Poláčková (Mařenka), Maria Kobielska (Ludmila), Jiří Hájek (Krušina), Zdeněk Plech (Kecal) © Zdeněk Sokol
Smetana in Prague is never likely to be less than a delight, and the National Theatre assembles a fine cast for a revival of Alice Nellis' production of his greatest opera.
****1
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A raucous Rosenkavalier from Prague State Opera

Petra Alvarez Šimková (Marschallin) and Arnheiður Eiríksdóttir (Octavian) © Zdeněk Sokol
A strong international cast and fine musicianship from the orchestra carries on Strauss's legacy with a smart, antic romp.
****1
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Ball im Savoy: a spirited tribute to a forgotten composer in Prague

“An eye for an eye, a kiss for a kiss,” declares Madeleine in the knock-down battle of the sexes that is Paul Abraham's rarely staged operetta. 
*****
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A star-studded disappointment in Prague

Lively singing saves Magdalena Švecová's listless production of Il barbiere di Siviglia at the Národní divadlo.
***11
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In Prague, a sci-fi fantasy becomes real

Krakatit, an opera composed in the shadow of the Cold War, remains frighteningly relevant.
****1
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