Neue Kritikenmehr...
Runnicles brings Strauss and Brahms to life in Auckland

Plenty of richness is evident in Runnicles’ Strauss and Brahms in Auckland Town Hall, with Madeleine Pierard a radiant soloist in the Four Last Songs.
ENB: R:Evolution showcases tenacity, legacy and talent

English National Ballet opens its season at Sadler’s Wells with a quadruple bill showcasing the versatility, virtuosity and endless capabilities of the company throughout the ranks.
Young and the Sydney Symphony perform a splendid Die Walküre

Wotan's predicaments provide Sydney's victory: Chief Conductor Simone Young has her musicians on some of their best form in recent years, with only a few question marks over an excellent concert performance.
Gemma New and the NZSO travel through twentieth century music

Centred around Scriabin’s mystical Poem of Ecstasy, a thrilling journey through the byways of twentieth century music takes in New Zealand, Finland and France.
English National Ballet's Our Voices signals a new, exciting era

English National Ballet appears refreshed and revitalised under its new artistic director.
Baroque opera resurrected at Pinchgut: Legrenzi's Giustino

Unseen since the 18th Century apart from one night in Germany, Legrenzi's Giustino deserves to re-enter the repertoire after its revival by Pinchgut Opera's Erin Helyard.
