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ParisLady Macbeth de Mzensk
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Schostakowitsch: Lady Macbeth von Mzensk
Ingo Metzmacher; Krzysztof Warlikowski; Opéra national de Paris; Małgorzata Szczęśniak; Felice Ross; Orchestre de l'Opéra national de Paris
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Ton, Kamera, wenig Action: Falstaff bei den Salzburger Festspielen
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Christoph Marthaler siedelt Verdis letzte Oper an einem Filmset an und produziert dabei wohl keinen Kassenschlager; immerhin rettet die musikalische Seite den Abend vor dem Flop.
Werther oozes quiet despair in new Canadian Opera Company staging
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Excellent performances cannot turn a conventional production of Massenet’s Werther into a dramatic experience for the 21st century.
Eugene Onegin revival fails to find the magic spark in Toronto
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Robert Carsen’s 1997 production of Eugene Onegin has aged remarkably well but the latest Canadian Opera Company revival of it doesn’t quite recapture its magic.
COC triumphs with Kentridge’s brilliantly conceived Wozzeck
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William Kentridge's production of Berg’s Wozzeck has it all: wonderfully imaginative and disturbing designs, terrific acting and singing plus fabulous orchestral playing.
El éxito de un icono: Diálogos de carmelitas en Les Arts
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Diálogos de carmelitas entra a formar parte de los hitos programados por el Palau de Les Arts, de la mano de Robert Carsen y Riccardo Minasi.
Una historia de violencia: Bieito lleva con éxito Lear al Real
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Este Lear de Calixto Bieito constituye la mejor propuesta hasta el momento de la temporada de Teatro Real.