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Performer: New York Philharmonic Orchestra

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New York CityFall Gala

New York Philharmonic
Bruch, Beethoven
New York Philharmonic Orchestra; Jaap van Zweden; Itzhak Perlman

New York CityProject 19 Jaap van Zweden conducts: World Premiere by Joan Tower and Mozart with artist-in-residence Chick Corea

New York Philharmonic
Tower, Mozart, Mussorgsky
New York Philharmonic Orchestra; Jaap van Zweden; Chick Corea

New York CityProject 19 Jaap van Zweden Conducts: World Premiere by Jessie Montgomery

New York Philharmonic
Montgomery, Szymanowski, Dvořák
New York Philharmonic Orchestra; Jaap van Zweden; Lisa Batiashvili

New York CityJaap Van Zweden Conducts: Emanuel Ax in John Adams's Century Rolls

New York Philharmonic
Beethoven, Adams
New York Philharmonic Orchestra; Jaap van Zweden; Emanuel Ax

New York CityManfred Honeck conducts: Tchaikovsky with Beatrice Rana

New York Philharmonic
Tschaikowsky
New York Philharmonic Orchestra; Manfred Honeck; Beatrice Rana
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Yo-Yo Ma spielt Salonen in Hamburg

Yo-Yo Ma © Michael O'Neill
Die Hamburger Elbphilharmonie beheimatet die deutsche Erstaufführung des Cellokonzerts von Esa-Pekka Salonen.
****1
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Fragiles Spiel in New York

Die New Yorker David Geffen Hall ist ein imposanter Bau und beheimatet das New York Philharmonic Orchestra, welches an diesem Abend nicht nur Stärken zeigte.
***11
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Louis Langrée makes his New York Philharmonic debut

Louis Langrée © A. J. Waltz

Three of the pieces that Louis Langrée conducted in his New York Philharmonic debut concerts were similarly atmospheric and impressionistic, stealing each other’s thunder. Happily, the Scriabin was cathartic.

***11
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Welser-Möst leads the New York Philharmonic in Widmann and Strauss

Franz Welser-Möst conducts the New York Philharmonic © Steven Pisano for Bachtrack
In his first New York Philharmonic engagement since 2000, Franz Welser-Möst pairs Jörg Widmann's Babylon Suite with Strauss' Sinfonia domestica
****1
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Ellen Reid premiere and Renée Fleming steal the show from Bruckner 4

Renée Fleming © Andrew Eccles

Ellen Reid’s evocative new work and Renée Fleming’s set of songs from her album “Distant Light” were the highlights of a program that included an uninspiring Bruckner Fourth Symphony.

***11
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