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Performer: Patrick Terry

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Brett Deans fulminanter Hamlet bei den Münchner Opernfestspielen

Allan Clayton (Hamlet) © Wilfried Hösl
Ein Werk, das sowohl traditionell als auch innovativ, elegant und leidenschaftlich ist: Brett Deans Hamlet, dessen gewaltige Aufgaben an Szene und Musik an der Staatsoper in München überzeugend gelöst wurden. 
***11
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A feast of Purcell in Sir David Pountney’s Masque of Might

Members of the Opera North Chorus © James Glossop
Sir David Pountney directs a satirical take on dictatorship and the climate crisis inventively set to the music of Purcell. 
****1
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In the Realms of Sorrow: Handel cantatas in the round

Claire Booth © Camilla Greenwell
Director Adele Thomas can do no wrong, sustaining her extraordinary run of fizz with this unlikely concatenation of four Handel cantatas at Stone Nest.
****1
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Tension accumulates in Handel’s Tamerlano at The Grange Festival

Some exceptional singing intermittently enlivens Daniel Slater's production which, dramatically and emotionally, takes time to ignite.   
***11
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Tim Albery's new Alcina for Opera North lacks magic in Leeds

Alcina also disappoints as a showcase for sustainable opera, despite that being Opera North’s pledge for this production. 
**111
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JPYA make a decent fist of Handel's Susanna in the Linbury Theatre

The evening’s most unbuttoned applause was reserved for two native anglophone artists, countertenor Patrick Terry and bass-baritone Michael Mofidian.
***11
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