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ParisOratorio de Noël
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Bach: Weihnachtsoratorium, BWV248
Orchestre National de France; Trevor Pinnock; Lauryna Bendžiūnaitė; Sasha Cooke; Patrick Grahl; Christian Immler
LondonSir Antonio Pappano
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Chausson, Foccroulle, Skrjabin
London Symphony Orchestra; Sir Antonio Pappano; Stéphane Degout; Sasha Cooke
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Ein lohnenswerter Opernmarathon in San Francisco
Diese Vorstellung war Sir Mark Elders Debüt mit der Kompanie und von der Ouvertüre an bot er seine individuelle Lesart der Partitur, mit einer enormen dynamischen Bandbreite und je nach den emotionalen Werten jeder Szene stark variierenden Tempi.
Sasha Cooke brings sharp intelligence to Seattle Opera’s Carmen
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Sasha Cooke’s thoughtful role debut anchors Paul Curran’s visually and musically alert but dramatically uneven production.
Heaven is a place on earth: Verdi's Requiem in Saratoga Springs
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Returning to the first work he officially conducted as the Philadelphia Orchestra's Music Director, Yannick Nézet-Séguin offers a powerful study in contrasts, supported by a superb quartet of opera soloists.
Evgeny Kissin and friends explore Shostakovich at Carnegie Hall
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A chamber programme of Shostakovich’s private idioms and public masks
In Cleveland, Thomas Adès presents a bold, modernist vision
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In a rewarding program of challenging, unfamiliar scores, Thomas Adès and The Cleveland Orchestra and Chorus tackle works by Sibelius, Ives, Saariaho, and Adès himself.
Bergman à l'opéra : Fanny and Alexander à La Monnaie
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L'adaptation opératique du film d'Ingmar Bergman ne se distingue certes pas par l'originalité de sa musique mais n'en demeure pas moins une réussite, dotée d'une grande profondeur psychologique.
