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Performer: Sasha Cooke

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WienTonkünstler-Orchester Niederösterreich

Musikverein Wien
Debussy, Ravel, Mahler
Tonkünstler-Orchester Niederösterreich; Fabien Gabel; Elsa Benoit; Sasha Cooke; Maximilian Schmitt; Singverein der Gesellschaft der Musikfreunde in Wien

ParisOratorio de Noël

© Gerard Collett
Bach: Weihnachtsoratorium, BWV248
Orchestre National de France; Trevor Pinnock; Lauryna Bendžiūnaitė; Sasha Cooke; Patrick Grahl; Christian Immler

LondonSir Antonio Pappano

© Stephanie Girard
Chausson, Foccroulle, Skrjabin
London Symphony Orchestra; Sir Antonio Pappano; Stéphane Degout; Sasha Cooke

ChicagoMäkelä Conducts Beethoven 9

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Beethoven, Boulez
Chicago Symphony Orchestra; Klaus Mäkelä; Chen Reiss; Sasha Cooke; Siyabonga Maqungo; Gerald Finley
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Ein lohnenswerter Opernmarathon in San Francisco

Diese Vorstellung war Sir Mark Elders Debüt mit der Kompanie und von der Ouvertüre an bot er seine individuelle Lesart der Partitur, mit einer enormen dynamischen Bandbreite und je nach den emotionalen Werten jeder Szene stark variierenden Tempi.
*****
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Sasha Cooke brings sharp intelligence to Seattle Opera’s Carmen

Sasha Cooke (Carmen) and Christian Pursell (Escamillo) © Sunny Martini
Sasha Cooke’s thoughtful role debut anchors Paul Curran’s visually and musically alert but dramatically uneven production.
****1
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Heaven is a place on earth: Verdi's Requiem in Saratoga Springs

Yannick Nézet-Séguin conducts the Philadelphia Orchestra © Francesco D’Amico
Returning to the first work he officially conducted as the Philadelphia Orchestra's Music Director, Yannick Nézet-Séguin offers a powerful study in contrasts, supported by a superb quartet of opera soloists.
*****
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Evgeny Kissin and friends explore Shostakovich at Carnegie Hall

Gidon Kremer, Evgeny Kissin and Giedrė Dirvanauskaitė © Fedi Kheir
A chamber programme of Shostakovich’s private idioms and public masks
****1
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In Cleveland, Thomas Adès presents a bold, modernist vision

Sasha Cooke, Thomas Adès and The Cleveland Orchestra © Roger Mastroianni, courtesy of The Cleveland Orchestra
In a rewarding program of challenging, unfamiliar scores, Thomas Adès and The Cleveland Orchestra and Chorus tackle works by Sibelius, Ives, Saariaho, and Adès himself.
*****
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Bergman à l'opéra : Fanny and Alexander à La Monnaie

Fanny and Alexander à La Monnaie © Matthias Baus
L'adaptation opératique du film d'Ingmar Bergman ne se distingue certes pas par l'originalité de sa musique mais n'en demeure pas moins une réussite, dotée d'une grande profondeur psychologique.
****1
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