Neue Kritikenmehr...
Carmen à l'Opéra de Québec : adieu au langage
Malgré d'indiscutables mérites, la production de Carmen à l'Opéra de Québec a été ternie par la maîtrise plus que discutable du français par les deux principaux chanteurs et par les problèmes vocaux de Thiago Arancam.
Roman festival: the LPO celebrates the Eternal City
An all-Italian programme conducted by Enrique Mazzola encompasses the theatrical worlds of opera, film and ballet as well as purely musical tone-painting.
The highs and lows of Stefan Herheim's Manon Lescaut at the Dresden Semperoper
Puccini is one of opera’s best loved composers. With so many popular titles to his name, it is somewhat surprising how infrequently his first great success, Manon Lescaut, is performed today. What makes this even more unusual is the opera’s universal appeal.
Luscious Manon Lescaut lights up Philadelphia
For the first time in twenty-five years, the Opera Company of Philadelphia has mounted a production of Puccini’s first great opera, Manon Lescaut. The result was an inspired testament to thoughtful direction by Michael Cavanagh, gorgeous sets and costumes by John Pascoe, and several winning performances.
Getting Out of the Cocoon: Ana Maria Martinez Conquers the WNO
For over a century, Puccini’s Madama Butterfly has been one of the most famous and widely staged operas in the world. The secret of this undying popularity lies in the complex and contradictive nature of the main heroine. Audiences always look for new vocal and dramatic interpretations of the character and keep their expectations high for the leading soprano.
