Dancing in the dark: Russell Maliphant's Still / Current at Artsdepot

Von Jaime Robles, 05 Oktober 2013

Laden, bitte warten...

Rezensierte Veranstaltung: Artsdepot, London, am 2 Oktober 2013

Still Current (Russell Maliphant)

Russell Maliphant Dance Company

Deutung und Bedeutung: Paradigma am Bayerischen Staatsballett

Rainer Zerbst, 4th January

Ein unvergesslicher Abend, der zeigt, wie unterschiedlich Musik in Tanz aufgehen kann und wie klein der Unterschied zwischen abstraktem Tanz und konkreter Deutung sein kann.

*****

Maliphant’s Landscapes: three solos, three outstanding dancers

Graham Watts, 11th March

Some of Russell Maliphant's best known, most enduring and loved works in an evening of unforgettable performances.

****1

Carlos Acosta: On Before inspires rapturous standing ovations

Kathy Elgin, 16th February

Carlos Acosta can still draw in the crowds and this carefully chosen programme is well worth watching.

***11

BalletBoyz: England on Fire never fully ignites

Deborah Weiss, 8th November

Tremendous effort from all concerned and sparks did fly, but they didn't quite burn brightly enough.

***11

Russell Maliphant Dance Company: shapes of freedom in Vortex

Graham Watts, 3rd May

Vortex is the latest in Maliphant’s ongoing explorations into the rich performance potential that can be mined from blending many artistic elements.

****1

Acosta Danza thrills Madrid in “Evolution”

Cristina de Lucas, 22nd October

The spirit of Cuba visits Madrid as Carlos Acosta's dance troupe performs a mixed at the Teatro Real, including Sidi Larbi Cherkaoui's Mermaid.

****1

Weitere Kritiken...

Jaime Robles

Jaime Robles has previously written in the San Francisco Bay Area, including for the San Francisco Classical Voice. Also a poet, she has written song lyrics and librettos for several one-act operas, including Inferno (music by Peter Josheff), staged in 2009 by San Francisco Cabaret Opera, and Vladimir in Butterfly Country (music by Anne Callaway), staged in 2012.